My Film of the Year by Emma Fraser

Love and loss are two common themes in storytelling and my favourite film of the year certainly encapsulated both. Beginners weaves through the past and present as Oliver (Ewan McGregor) is coming to terms with the death of his father Hal (Christopher Plummer); the twist on the relationship here being that Hal had only recently revealed that he was gay after Oliver’s mother (Mary Page Keller) had died. In Oliver’s present he meets Anna (Mélanie Laurent); a French actress who has a complicated family history that bonds the pair but also has the potential to drive them apart.



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My Film of the Year by Lewis Swift

2011 has been a weird year for cinema. Lars Von Trier admitted to being a Nazi, A werewolf fell in love with a baby in a 12A and one of the best films of the year was a documentary (Senna), WTF right? All this has meant that choosing one film to crown as my annual favourite has been even harder than usual. Then there’s the films I haven’t even seen yet; Take Shelter, Money ball and The Artist could all as yet take the crown but for now they’ll have to wait.

Submarine - Welsh New Wave

To make the task arbitrarily easier I have also discounted those movies decorated by the Academy earlier on in the year. Using my dog eared collection of ticket stubs I whittled the list down to fifteen movies then to ten, then to three, then finally to one.  The ticket that remained read simply ‘Submarine’.

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The Social Network, A Film For The Ages

As the red carpets are rolled up, smashed champagne flutes are swept away and the giant cock and balls complete with hairy sack which a dejected Banksy tagged onto the side of the Kodak theatre is covered with something less offensive, it’s time to reflect on the 83rd Academy Awards. And time once again to point out where the voters went wrong.

tsn

In this humble writer with a big dicks opinion The King’s Speech was an undeserved victor. The film, while joyous and more than an accomplished piece of film-making, did not exemplify the best of what this little blue planet as to offer. It was ‘the film of the moment’ not ‘a film for the ages’. In my mind that honour goes to The Social Network.

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In Praise Of…Nicolas Cage

How’s this for a plot synopsis to make Ed Wood, Russ Meyer and Garth Marenghi weep; When his daughter is killed by Satanists, who then kidnap his baby granddaughter to sacrifice her and bring about the end of the world, Milton breaks out of hell and hits the road in an attempt to save her life. He’s accompanied by a sexy waitress and pursued throughout by The Accountant, the Devil’s right-hand man… In 3D!!! (Synopsis written by Empire’s Chris Hewitt)

I don’t know about you but I’m already standing in line with my popcorn and specs.

Drive Angry

Say what you want about Hollywood and their dire output but the studio heads still have plans, ideas and rules. One such rule would be never greenlight anything like the batshit craziness of above, unless, unless you have a star attached. Thank the maker then for one Nicholas Kim Coppola.

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Vote In The Second Annual ‘Onnies’

In Sir William Goldman’s book of essays on Hollywood, The Big Picture, (I added the Sir) the screenwriter repeatedly eschews the virtues of the Academy Awards. Happy to admit they are tacky and crass, it’s the importance of them that must not be forgotten. They are after all, “the lead phrase in most obituaries.”

They also, always, provoke rage and bile like no other awards (the comical Globes just provoke distain) but most importantly, they get people talking about movies. And if you’re on this site, either as a first timer or repeated reader, you’re here because you love talking about movies.

Today you don’t have to just talk. Today you get to vote. And in a move tantamount to the most charitable piece of giving since Mother Teresa invented text message donations we’ve given you the option of adding your own opinion. Please use it carefully, all votes for The Bounty Hunter will not only be ignored but we’ll also send ‘Dog’ round to your house.

Results will be announced Oscar Night so hit us back, in the meantime. Let the voting commence.









Things We Learnt From BAFTAs 2011

If you didn’t see last night’s British Academy of Film and Television Arts awards (without the Television bit) join us for a recap of the evening’s entertainment. If you did, join us anyway and see if you learnt as much as we did.

bafta

We Can Love Ourselves.
Winston Churchill once said, “The British nation is unique in this respect. They are the only people who like to be told how bad things are, who like to be told the worst, and like to be told that they are very likely to get much worse in the future.” Not many Brits would argue with the man, least of all because we don’t argue we discuss, but mainly because one of our defining characteristics as a nation is that we romanticise failure to the point of absurdity. So how nice it was to see us pat ourselves on the back at last night’s ceremony by giving every other award to the very British The King’s Speech. Three for acting, two for Best Film and a few more for technical achievements, if we could have nominated it for animation it probably would have won that too.

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The Best Of British Film

“The fact is,” Bill Bryson said, “Britain is still the best place in the world for most things – to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, get lost, seek help, or stand on a hillside and take in the view”.

brief encounter

Fair play to you Bill but you neglected a few other choice articles. For example, few people in any civilised society would tolerate, let alone promote, the existence of Jordan and Peter Andre and no-one but no-one would proudly display their national flag with the name of the country inscribed upon it (actually that one is exclusively the cry of a few demented English).

He also, one would assume completely purposefully, neglected to praise how we as The British ‘make movies’. That would, more than likely, be down to the phrase, ‘the best place in the world’, for as patriotic as you may be, it’d be a foolhardy cineaste who believes this little Isle produces the best films in the entire world. And besides, even if we were, no true British person is that arrogant.

But every now and again we have a bloody good try and so, in honour of Time Out’s exhaustive compilation, available here (http://www.timeout.com/london/bestbritishfilms/) I decided to throw in my two pennies. Hope you do the same.

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In Praise Of… Keira Knightley

Never Let Me Go starring Keira Knightley, Carey Mulligan and Andrew Garfield is released this Friday (11th) and is the adaptation of Kazuo Ishiguro’s hit novel of the same name.

After hearing some women discussing Keira Knightley whilst looking at a display for the film in a derogatory fashion it occurred to me that due to the level of success and fame that she has had at such a young age Knightley still has a level of detractors who resort to name calling as a method of derision. In response to this I found myself thinking about how much I actually like her as an actress and why she should be praised.

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Coming attractions in 2011… Top 5

Ok, it’s the start of another year and there seem to be a lot of these ‘what to watch in 2011’ lists banding about. So I thought everyone would appreciate another one. Picking my brains there seems to be a lot of disagreement between me and my inner child over which movies we’re going to spend our hard earned money and time watching over the coming 12 months.

sp

The following list is the result of much debate, childish mudslinging & sanctimonious know-it-all rhetoric but thankfully we came to a hard fought compromise via a mutual loathing of Michael Bay.

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Mr. Swift’s Top Ten of Twenty Ten

I should point out that for the purpose of this list I’m only including films with a 2010 UK release date as shown on the one and only Internet Movie Database.

10 The Social Network (15/10/10)
I will no doubt come in for some grief placing Fincher’s Facebook movie at the lowest possible point of my top ten but bare in my mind, I’ve watched a lot of films this year so tenth spot is by no means an indictment. Whilst I may not have been entirely on board the Social Network bandwagon I was not blind to its many qualities. Sorkin’s script is as fast paced and nuanced as his seminal tenure on The West Wing and his dialogue is expertly delivered by the likes of Jesse Eisenberg and Andrew Garfield. What prevented the film from creeping up my list was in its unnerving levels of hypocrisy. Facebook founder Zuckerberg is openly condemned for his plans to compare girls with farm animals yet apparently the entry requirements for Harvard girls of the nineties was ‘Must look good in pants’. Sorkin has himself issued an apology for the depiction of girls but sadly that doesn’t make it any less uncomfortable viewing.
Jesse Eisenberg as Mark Zuckerberg

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