It’s hard to fathom that Roman Polanski has been making films for 50 years now. His early output was a revelation, making a name for himself with a unique brand of taut claustrophobic thrillers (See Knife in the Water/Repulsion). Seething with a palpable sense of anxiety, Polanski pushed his subjects to psychological breaking point with the enclosed surroundings amplifying the tension to almost unbearable levels. In short, they were bad places to be, especially if you happened to advocate bourgeois values. Downton Abbey, had it been made in 1960′s Poland probably would have had the entire cast holed up, soiled knickers and all, in the study with wolves roaming the corridors. It was in its mockery of the Bourgeoisie that European cinema was in its element. While never overtly political, Polanski revelled in using them as fodder. Even through visions of the American dream in Rosemary’s Baby & Chinatown, widely considered all-time greats, many of the hallmarks of his previous work shine through. (more…)
Unlike last week’s parade of mostly bland box office dead weight, this week sees a number of highly anticipated new Blu-ray releases. With numerous quality titles for your delectation, the end of January could bring with it some financial difficulties for those of us with a pathological need to ‘collect’.
First up this week is Nicholas Winding Refn’s 70’s throwback Drive. (more…)
Only those closest to me know that my full name is actually Bernard Lewis Raymond Swift. So, when Sony offered to name their latest technological leap after me, I was incredibly flattered. After a brief market scrap with the boringly titled HD DVD, B-Lew-Ray became the dominant HD home entertainment format of choice ,and as prices drop, the format is threatening to overtake DVD as the new standard.
Of course, fifty percent of that last paragraph was bull shit but I promise that what follows will be a combination of facts and personal opinions that will hopefully allow you to optomise your spending in this period of economic crisis. As you might expect, the weeks directly following the festive period tend to be a little thin on the ground regarding big releases but there is at least, this coming week, a vast cocktail of titles coming your way. (more…)
The summer big noises speak for themselves;
Early glimpses of The Dark Knight Rises and Ridley Scott’s return to the Alien universe with Prometheus in IMAX & 3D respectively, look certain to be the years most complete cinematic experiences.
Elsewhere, you have a bumper fix of Marvel comic book action as the superhero equivalent of The Breakfast Club finally arrives in the form of The Avengers ,as well as a reboot of the oh so profitable Spider-Man franchise. Autumn/Winter will bring us Sam Mendes’ contribution to the Bond series in Skyfall, Peter Jackson’s return to Middle Earth in The Hobbit, ‘Tarantino does a western’ in Django Unchained and Baz Luhrmann’s intriguing 3D take on The Great Gatsby. There is plenty more to be excited about in 2012, but here are my ones to watch in the coming year: (more…)
There’s been substantial debate amongst my peers and I, as to whether or not Jean Dujardin could actually win the Best Actor Oscar. As we await this years nominations it’s safe to say he’s going to be up against it. If the Golden globes are anything to go by he’s likely to be up against five of the biggest names in the business. Whilst Dujardin should walk the Globes only ‘Comedy Musical category’ when the Academy inevitably make their selection from the Globes’ ten, the Frenchman is going to have to userp one of either Clooney, Pitt, DiCaprio, Gosling or Fassbender in order to make the final five. It’s a tough ask but it made me curious about just how often international performances are recognised by the academy. What follows is the fruits of my diligent labour which I have collated for your statistical pleasure.
With the new year just around the corner every movie mag, website and jaded film studies graduate will be spouting off about which films you should be getting excited about next year. In my extensive (read ‘not very extensive’) research, most articles seem to be understandably focussing on the same five or six movies (Spiderman, Hobbit, Avengers, Prometheus, Hunger Games, Dark Knight etc). Here at This Film Is On however, we like to do things a bit differently (Just look at Owen’s beard). So, with all this in mind here’s five films that you’ve probably already heard about but have hopefully forgotten about. (more…)
2011 has been a weird year for cinema. Lars Von Trier admitted to being a Nazi, A werewolf fell in love with a baby in a 12A and one of the best films of the year was a documentary (Senna), WTF right? All this has meant that choosing one film to crown as my annual favourite has been even harder than usual. Then there’s the films I haven’t even seen yet; Take Shelter, Money ball and The Artist could all as yet take the crown but for now they’ll have to wait.
To make the task arbitrarily easier I have also discounted those movies decorated by the Academy earlier on in the year. Using my dog eared collection of ticket stubs I whittled the list down to fifteen movies then to ten, then to three, then finally to one. The ticket that remained read simply ‘Submarine’.
In the words of Rakim and Eric B, “It’s been a long time, I shouldn’t have left you, without a strong rhyme to step to”. Well, maybe not “rhyme”, but “insightful, occasionally humourous, entirely unedited movie opinion” to step to. So after almost a full year away, we’re back. Like The Dark Knight, bread in the oven and my penis when I see Anne Hathaway, ThisFilmIsOn will rise once more.
And quite frankly we couldn’t be back for a better year. 2012 may not provide the culmination of all human history but if it did, and as long as the big movies of the year live up to expectation, it wouldn’t be a bad way to go. Prometheus, The Amazing Spider-man, The Hobbit, The Avengers, The Dark Knight and that’s just the multiplex nomming blockbusters.
Elsewhere we’ll have new Coens (Gambit), new Pixar (Brave), Cameron Crowe’s latest (We Bought A Zoo), hopefully some more Charlie Kaufman and a film based on an internet meme about a time-travelling nutjob. If that’s a success then it won’t be long before Missing Missy makes the bigscreen. To start the year you also get The Muppets. Which I’ve seen and can confirm is as heart-tuggingly lovely as a furry, felt aorta massage.
But right now, It’s all about one thing…Batman! Enjoy the latest trailer below. Just don’t think about the half a year you have to survive before you get to see the damn thing.
Opening this weekend is the truly ruddy wonderful The King’s Speech. The truly ruddy wonderful Lewis Swift reviewed it on this here site, so take a peak around, read his critique then follow his advice; Go see it. There are a number of reasons why, great performances, a lovely central friendship, fantastic production, Guy Pearce brief spell ‘King-ing’ and the wee ickle girl from Outnumbered as a young Princess Margaret but its main pulling point; the power of words.
As the deeply irritating, helium voiced muppets, The Bee Gees sang “It’s only words, and words are all I have, to take your heart away.” Whilst the end result of The King’s Speech is that he managed to get the words over his tongue, ultimately if he was just dictating a recipe for a cracking Toad in the Hole the film wouldn’t be worth a damn. Those words helped scared British residents feel a little less so.
As celluloid speeches go, however, it’s not quite up there with these humdingers. And no, there is no Braveheart.
It’s been too long, my dear friends. Firstly, let me briefly apologise for my lack of content over the last year. As important as my writing is to me, I just haven’t been able to find the time to keep my blog going with the consistency that it had this time last year. Saying that, it’s awards season.
Following the first few critics’ associations pitching in with their end-of-year awards, today brings the first real signs of spring. The Golden Globe nominations were announced this morning and let me tell you, there were some truly shocking inclusions as well as some pleasantly surprising (but half-expected) ones. Sitting comfortably? The Thisfilmison Road To The Oscars begins now…
BEST MOTION PICTURE – DRAMA
BLACK SWAN
THE FIGHTER
INCEPTION
THE KING’S SPEECH
THE SOCIAL NETWORK
Four out of these five were no-brainers. ‘The Social Network’ has been cleaning up at the critics’ awards so far so will be regarded as the front runner by a whisker, but only because ‘The King’s Speech’ is yet to receive it’s general release. Early reviewers have been nothing short of astounded with Colin Firth and Geoffrey Rush’s performances being hailed as ‘magnificent’, so expect a heavily contested race come January.
