Understandably, given that it is based on a novel by pulp author Robert E. Howard and directed by Michael J. ‘Deathwatch’ Bassett, I had incredibly low expectations of Solomon Kane. Sadly however, my expectations were not low enough as I found myself subject to two hours of the most nonsensical, cliché riddled, low budget bilge that I have ever been paid to endure. Whilst getting paid to watch movies is a privilege I wholeheartedly adore, every now and then a film comes along that you would gladly pay not to see. Solomon Kane joins the likes of Dance Flick and Sorority Row, as a film upon which I bestow that dubious honor.

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